Integrity and the Music Business

June 2, 2011 | Posted in Blog | By

[This post was originally written in 2008.]

I know the two ideas above seem diametrically opposed to one another. I often wonder… in a “chicken or the egg” kind of way… Are musicians flaky by nature or does the world of music just tend to attract flaky people?

I mention this because I just sat on a panel of music producers at the Independent Music Conference this weekend, and a question brought up by an audience member made me think. “What about integrity in the music industry? How do you find those people, and shouldn’t a conference like this one be promoting such values?”

The moderator (Noel Ramos) shook his head and told a great story about how the first year of the conference he put together a great panel on integrity, with honest panelists in respectable positions who had great points to make on the subject… but no one showed up to listen.

He then began to talk about how musicians themselves tend to be very selfish creatures. And its true. I believe that some artists become artists just to say “look at me, aren’t I great?” I know that there are many exceptions to this, but sometimes it just seems like the bad stories stay with us far more readily that the good.

Several of the managers on another panel commented on how clients often failed to simply say “thank you” to them for their hard work and efforts. Others mentioned how they had put their whole heart and soul into breaking a client only to see them jump-ship the moment they are wooed by a larger firm enticing them with big promises.

Managers, producers, and other industry professionals can often be very loyal members of a new artist’s team and often take on substantial risks by putting in valuable time, energy, and promotion working with someone who is generally unknown. New artists typically make little or no money with their music which means they usually don’t have a lot to pay anyone who is helping them out.

Yet I know a lot of great, honest people who continue to help unknown artists because they love what they do. These are special people who believe in artists and are willing to take a chance on them before they become a success.

If you know any of these great people, be sure to let them know how much you appreciate them.

However, as many artists know, selfishness and careless self-interest often come from the “artist services” side of the business as well.

During the Women in Music panel, someone asked “How come every time I try and have a business relationship with a man in this business he expects me to have sex with him?”

What?!

Are there really still men who act like this? Even with the laws against this sort of behavior in the workplace apparently the idea of expecting sex in exchange for career advancement still exists. What a shame!

I realize people are human and they make mistakes but sex is not a valid form of payment. Making a pass at a client is just plain stupid! An even if a client were to try and provoke this sort of behavior a true professional should maintain a basic human respect for all his clients no matter what. Such a self-serving advance is extremely degrading and shows a total lack of respect. As far as I’m concerned, people in the music making business should be in it for the music, not just for themselves.

This got me thinking of another “Hollywood” issue; the live booking scene.

Anyone who has played a gig in Hollywood knows how it goes. You as an artist bring 22 of your closest friends from 50 miles in all directions to some hole-in-the-wall venue in LA. The promoter or the club takes most of the door, telling you that they were disappointed with the turnout.

You have brought the club patrons it would not have had who are expected to order two overpriced drinks and leave immediately after your set is over. Your friends are sure to leave once the next band arrives, because the next band (and their crowd) have nothing in common with yours. You go home after paying for your gas, parking, and the extra players you hired out of the $8 you made from those two tickets you actually got paid for. Because as you know the first 20 tickets go to cover the cost of the sound engineer, or whatever else you’re told.

Don’t like it? That’s okay. There are a hundred other people willing to sign up for your gig.

This very situation preys on the fact that artists tend to be in it for the attention. “You want your moment on our stage? Either bring us patrons or pay up.” Now I’m sure people will correct me if I’m wrong, but didn’t promoting used to be the Promoter’s job?

Now of course a venue needs to make money or it won’t stay open. But when I think of any truly innovative and successful business who’s success depends on their customers I notice that the good ones always pay attention to the satisfaction that their guests receive.

So what if artists and promoters alike were in it for the audience? What if number one goal was to put on a great show?

Selflessness and Community

I believe that most of us who make music have the desire within to inspire others and even ourselves. I know having been a part of the Don’t Call Us Torishowcases that I am regularly inspired by the musicians we’ve worked with. And when I’ve found myself thus inspired all I want to do is share that music with others. So when audience member comes up to me or Shannon to say “thank you, this music was just what I needed today,” I feel complete.

Consider how us Angelinos drive past hundreds of people in our cars every day. Yet how many people do we actually get to connect to? So many people here remain disconnected from one another and many feel hopelessly alone.

But music connects people to one another. Music draws people together.

So why don’t we try to create a little more sense of community? Tired of schlepping to a gig that’s 30 miles away? Start something local.

I feel that we need to sponsor more actual human contact, more events that bring people together.

Our collective sense of empathy is fostered by the idea that we can do-it-together, that we can help each other. Our sense of community will grow by cultivating cooperation and friendship.

As we support each other that the community will grow and the vampires that try to suck the life out of everyone will have much less power.

But in order bring people together in this way, it will require integrity. Because for community to work it can’t just be all about you.

We all have our faults and weaknesses. Misunderstandings happen. People get angry and hurt each other. But the question is will you be the first one to practice kindness instead of malice? Will you be patient with people who don’t really deserve it? Will you refrain from putting down someone who offended you? Will you practice forgiveness?

After all, its easy to be nice to someone who’s nice to you, but how do you hold up when people get on your nerves? It is the true test of character. By being our best to each other we create beauty in the world. Even if only one person were to be affected by your kindness, you never know how deeply your kindness may inspire that person down the line.

I personally would like to meet more of you good people in music. Let’s get together, work together, encourage each other, and continue to bring other kind people like us into our circle.

Fun with demo sessions

May 31, 2011 | Posted in News | By

Sometimes its good just to get your songs out of your head and onto “tape.” Good friend and indie artist promoter extraordinaire Toni Koch wanted to do just that, so we set her up to sing and play on a lazy Tuesday afternoon here at my studio just outside Santa Clarita, CA. I have know Toni for several years but had not yet had the chance to hear her songs, and I have to say I am impressed!

Doing simple demos of your songs or partial song ideas is a great way to get inspired and to find out what’s working or not with your material (key, tempo, rhythm, lyrics, structure, or overall flow). This stage of the process can also be very fun because it is a good time to just “let it flow,” since major tweaks will typically be addressed later and the “perfect take” can be fussed with during the production process. Best of all its affordable because the setup is simple and low maintenance.

Toni has great songs and a very Judy Collins / Topanga Canyon sound. I look forward to hearing more!

Welcome to my brand new Blog

May 23, 2011 | Posted in Blog | By

Hello world! I have just gotten WordPress  up and running on my site thanks to Leo Lutz and Little Hammer Studios. You have reached the home of my new Blog, posts coming soon!

Cheers!
Steve

Testing Tomorrow to release new single

May 11, 2011 | Posted in News | By

Steve has just finished working with hard-rock quartet Testing Tomorrow (website) producing their new single Deriva. The group specifically wanted to embellish their sound with the addition of real strings. Steve created an arrangement for string quartet, bringing in cellist Amanda Zidow, violist Thom Lea, and violinist Rachel Grace to overdub the parts in the StuntLab. The group played the parts in multiple passes, each time moving their chairs in the space to simulate a larger string ensemble.

Steve and the band tracked rhythm parts in Sherman Oaks at Sound Oasis Studios, where drummer Grom Meraviglia got to track on a top shelf DW kit using the vintage Tama Bell-Brass snare drum – the same drum used on Nirvana’s “Nevermind.”

Guitars and vocals were recorded here at Leavittation, where friends of the band came to have fun recording the ” group chants” over the song’s outro.

The finishing touches on the song were added by mixer extraordinaire Marc Jordan at Thud Studios. The song is being mastered by Howie Weinberg.

Link to the finished song will be put up upon official release.

15 albums in 15 minutes

August 31, 2010 | Posted in Blog | By

The rules:

Don’t take too long to think about it. Fifteen albums you’ve heard that will always stick with you. List the first fifteen you can recall in no more than fifteen minutes. Tag fifteen friends, including me, (To do this, go to your Notes tab on your profile page, paste these rules in a new note, cast your fifteen picks, and tag people in the note.)

1. Amy Grant – Lead Me On

This is the first album I really played over and over as a kid that really stuck with me as an adult. It was one of Amy Grant’s most mature albums before going mainstream and I think what infuenced me the most was the amazing production value. To date my number one favorite album still. No apologies.

2. Poor Old Lu – Sin

My first venture into grunge rock as a new teenager, back when I only used to listen to bands sold at the Christian book store. Therefore, very influential. I was a couple years behind all my friends who were listening to Nirvana’s Nevermind.

3. Sarah McLaughlan – Surfacing

Completely changed my musical life. My inspiration behind co-founding Don’t Call Us Tori.

4. Fiona Apple – Tidal

Sonically one of my favorite albums. What a mood!

5. Tori Amos – Scarlett’s Walk

Every song is beautiful.

6. Radiohead – Kid A/Amnesiac (I condsider these one record)

First heard Everything in its Right Place in a movie and thought “I need to get into Radiohead.” Friend told me Kid A was my album – he was right. I consider Amnesiac to be apart of the same reality though since they share versions of the same songs and were released within 6 months of each other.

7. Radiohead – Okay Computer

How could I not put this?

8. Lyle Lovett – Joshua Judges Ruth

North Dakota and She’s Already Made Up Her Mind got me hooked, then the rest of the album grew on me. Really widened my musical horizons.

9. Blyss – Diff’s Lucky Day

Saw these guys live first before they were big (they became Lifehouse). I think this CD sold for $100 on Ebay at one point as it is out of print. Brilliant album.

10. Depeche Mode – Violator

Rediscovered this in college after hearing it a lot as a kid. My first band Transfiguration was very influenced by Depeche Mode. Enjoy the Silence and Policy of Truthare my all-time favorite Depeche Mode songs.

11. Coldplay – Rush of Blood to the Head

A soundtrack to life for me when it came out. Still musically very influential. I think I was already at this music point though when it came out. 

12. Bob Marley – Legend

Listened over and over again on a trip to Miami in ’95. Stuck with me so much I bought it as an adult. I know that compilations probably shouldn’t count, but this is seriously one of the best compilations ever. 

13. AD – Art of the State

I realized just how much this album had influenced me as a kid after I found myself wondering if it was on iTunes. I downloaded it and instantly realized that nearly everything I had done musically up to that point had been subconsiencely influenced in some way by this album. One of its founding members was a member of Kansas.

14. Peter Gabriel – So

One of my mom’s favorites at a formative time in my musical life. I would have listed some Genesis albums as well, but I think that So was even more influential to me.

15 Roger Waters – Amused to Death

I first heard my three favorite songs from this album played in order late at night on KLOS. I pulled over, stopped the car and listened for 30 minutes, transfixed. Sounded exactly like something I would have wanted to write and record. Later I found out that Roger Waters was in Pink Floyd (oh my God, I didn’t know that?!) and my love for this recording all made sense.

Because I can’t pick just 15… haha

16. Muse – Absolution
17. Tom Petty – The Last DJ
18. Hans Zimmer – Soundtrack to Gladiator
19. Tan Dunn – Soundtrack to Crouching Tiger Hidden Dragon
20. Linkin Park – Hybrid Theory
21. Dave Matthew’s Band – Crash
22. Rage Against The Machine
23. Smashing Pumpkins – Mellon Collie and the Infinate Sadness

And of course this only counts favorite albums…

There are many other bands I love who’s albums I don’t have and therefore I have many singles of there’s that totally influence me. Especially since I have always loved the radio. But here I’ve only listed complete albums. :)

Bjork, U2, The Police, The Buggles, Oingo Boingo, Aha, Talk Talk, Tears for Fears, The Foo Fighters, Counting Crows, Damien Rice, Led Zepplin, Yes, Genesis, Rush, Incubus, Jon Brion, Lauren Hill……………………